While onstage, Teresa Reichlen, a ballerina with the New York City Ballet appears calm and serene. On the inside, however, she has a different experience. “It’s funny because people tell me I look calm,” she said to the NY Times. “But I don’t always feel calm. When I’m the most stressed or angry I become really quiet. Maybe it’s my way of dealing. I don’t know if I hold it all in, but it’s just the way I am — in life and on the stage.”
Reichlen is explaining one aspect of the creative tension many performers experience. It is the tension between remaining calm on the outside while working hard on the inside. Some performers feel uncomfortable doing this and want to express their inner intensity openly. However, remaining physically calm on the outside can help your body relax and send messages to your mind that everything is going OK. Your outward calm can keep your inner drive and intensity in check and focused.
Performers in school, sports and the arts should practice this technique while studying, during practices and training. By doing so, you will find that your inner intensity remains more centered and relaxed, and your actions more precise and expressive.
While Reichlen is only 23 years old, she has lived a lifetime in ballet starting at age 3 in a ballet school behind a grocery store in Clifton, Va. Because of her love and dedication to dance, she has naturally developed mental techniques that helped her rise to the top of the ballet world and grow as a person. With her techniques in hand, as explained in this week's posts, you can also grow as a student, athlete and artist.




